438A ROAD POLICEMEN
looking up, astonished, to see BOND riding a magic carpet.
speaks excitedly into walkie-talkie. Street sign post above
Policemans head reads Calle du Zoo.
438B ROOF TELEPHONE LINES BOND
arriving on roof opposite to one he left. He climbs on to roof
taking carpet with him. He crosses to opposite corner where another set of
telephone lines are attached. He looks down in surprise.
438C WHAT HE SEES
Lines are lying on the ground. Across the street on a roof a
TELEPHONE ENGINEER repairs them.
throwing down his magic carpet disgustedly. He looks about for
escape route, sees heavy metal grating set in roof.
438E ROOF WITH WASHING POLICEMEN
searching for BOND. One sees him on roof across street.
sliding back bolt securing grating. BULLET HITS near him. He
ducks down through grating, it is dark below.
438G ROOF WITH WASHING POLICEMEN
firing at BOND.
438H WALL OF ROOF ABOVE GRATING CHIEF OF SECURITY
seeing BOND disappear through grating.
438I INT. CORRIDOR BOND
crouching as he walks through dark narrow corridor. He comes to
another grating set in floor. He removes bolts and opens grating. It is
dark below. On his knees he sticks his head down through grating to look.
Suddenly he is pulled in by something.
438J STAINLESS STEEL SLIDE BOND
sliding down head first, landing in pile of hay. He looks around.
438K WHAT HE SEES
CROWD of NATIVES, TOURISTS and CHILDREN on other side of bars.
They laugh and point at BOND.
turning toward slide at SOUND of tremendous pounding on sides of
438M SLIDE DJUM
a 420 pound gray-backed male GORILLA hurtles down toward BOND.
landing in front of BOND. GORILLA grabs him, pulls him close, then
reaches out with a huge hand and plucks BONDS eyelash.
430O ANOTHER ANGLE
behind GORILLA, CHIEF OF SECURITY coming down slide feet first out
of control. He crashes into DJUMS back. GORILLA drops BOND, turns
on CHIEF OF SECURITY.
scrambling to door of cage as KEEPER opens it. BABY GORILLA jumps
into Bonds arms. BOND hands it to KEEPER.
He exits cage. In B.G. DJUM wrestles with CHIEF OF SECURITY.
449 CASBAH EAST CROWD BOND
walking with them toward exit.
450 OUTSIDE CASBAH EAST EXIT POLICE CAR
stops. Two POLICEMEN and CHIEF OF SECURITY get out. They study
CROWD passing through exit.
451 INSIDE CASBAH EXIT BOND
seeing POLICE halts, then pauses to inspect merchandise of STREET
VENDOR while glancing toward exit.
TOUR LEADERS VOICE
Mr Bond! Where have you been?
turns to see TOUR LEADER, arms akimbo, glowering at him. Other
members of the TOUR behind her are burdened with junk purchased from the
You simply cannot wander off like that.
Youve made us late for our tour of the
She approaches him with others.
Im sorry. I ran into an old friend who
was just dying to see me.
TOUR LEADER continues past on the way to the exit.
Dont let it happen again.
Rest of TOUR passes BOND. He falls in with TWO AMERICAN
DIVORCEES, now wearing FEZES and carrying obviously cheap
purchases. He takes a few of their purchases.
Let me help you.
While the women chatter BOND exits the Casbah with them hoping not
to be noticed by Police. CHIEF OF SECURITY is not in sight.
Oh, thanks, Mr Bond. Boy, did we have fun!
They get into queue to board TOURIST BUS. BOND looks toward front
of BUS. SECOND DIVORCEE holds up stuffed miniature camel.
They wanted 60 dirhums.
453 BONDS POV CHIEF OF SECURITY
steps out into Bonds view at front of BUS and looks over TOURISTS.
glancing about for escape route. FIRST DIVORCEE holds up second
But we got two for one hundred.
Youre too clever for them, girls!
543 INT. RUINED HOUSE RANJIT BOND AND KARA
running in and dropping to the ground near him. One wall has
collapsed and part of the roof has fallen in. Door opposite entrance leads
to other rooms. RANJIT gets to his knees and peeks out window.
Were safe here.
BOND joining him at window.
Unless they pick up our body heat on
their infra-red detector.
544 EXT. HELICOPTER
banking toward house. GUNNER opens fire.
545 INT. RUINED HOUSE RANJIT KARA BOND
pulling her to cover. Bullet hits hit near them.
They did !
flying low over ruined houses. It banks back. Guns sweep area
547 INT. RUINED HOUSE RANJIT KARA BOND
pressing themselves against walls and floor as bullets narrowly
passing over again.
548 INT. HOUSE KARA RANJIT BOND
getting up, turning to RANJIT.
RANJIT hands him matches. They pile splintered wood and rags in
one corner. He pours oil from a broken lamp over pile, lights it, then pulls
KARA into the next room. RANJIT follows. CAMERA TRACKS WITH THEM through several
banking for return.
550 INSERT POD
on bottom of helicopter. Optical scanner sweeps area.
551 INT. HELICOPTER CO-PILOT
studying infra-red screen. Points to hot spot. Helicopter banks
flies back to ruined house and hovers. GUNNER concentrates fire on
one area of house.
553 INT. RUINED HOUSE FIRE
smouldering in corner. Room now empty. Bullets continue raking
554 EXT. RUINED HOUSE HELICOPTER
as it slowly descends to hover just above walls. GUNNER firing
through roof into interior. BOND climbs to top of wall directly below
HELICOPTER. Not seen by crew he takes Qs KEYRING from pocket.
555 INSERT KEY-RING
BOND arms it. Tiny red light flashes on.
stretching up on tip of toes, he just manages to attach magnet to
infra-red pod on helicopter, then jumps off wall.
557 HELICOPTER GUNNER
stops firing. PILOT maneuvers to land plane beside ruined house.
558 HELICOPTER GUNNER
taking machine gun from mount, he jumps to ground as helicopter
lands, then approaches house.
puts fingers to lips, blows wolf whistle. KEY-RING does not
explode. Whistle is evidently not loud enough.
hearing whistle he fires burst toward BOND.
561 BOND KARA
ducking down as brickwork around wall is shattered by bullets.
approaching them, firing.
563 BOND AND KARA
run along wall. He whistles again. KARA tries as well. Together
they make a LOUD WOLF WHISTLE.
564 INSERT KEY-RING
red light flashes, key-ring explodes.
blowing up in fire ball.
knocked flat by explosion. He gets up dazed. BOND knocks him flat
with a punch.
567 WIDER ANGLE HELICOPTER BOND KARA
joining him as helicopter burns in B.G. They look around for
Where did our friend go?
Took off. With the rifle.
568 DESERT ROAD DAY BOND KARA
plodding on wearily. SOUND OF APPROACHING HORSE HOOFS. He
suddenly looks up.
569 WHAT HE SEES
OUTRIDERS on horseback in cloud of dust gallop toward them on road.
570 CLOSER ON OUTRIDERS
SIX fierce-looking, heavily armed AFGHANS. One leads a RIDERLESS
571 KARA BOND
looking around for a place to run. There is nowhere to hide.
halting around them. They gesture with their guns for BOND and
KARA to mount the extra horse. BOND does so and pulls Kara up behind him.
They are led off in a gallop back along the road. It looks as
though they have been kidnapped. Actually, the bandits are Mujadin freedom
612 EXT. FORTRESS ROOF TERRACE OFF BEDCHAMBER SUNSET KARA
waiting anxiously. She has been bathed, coiffured, perfumed and
dressed in an elegantly embroidered silken native pajama suit. Near
the centre of the terrace is a colourful canopied area of luxuriant rugs and heaped
up cushions. BOND enters from the bedchamber, gazes at her approvingly.
(as she looks at
That means beautiful in Afghan.
He puts his arms around her, draws her close, kisses her. She
(after they break)
Whats going to happen with us, James?
Well discuss it when I get back.
Where are you going?
Ranjit and I have something to tale care of.
Youre going back for Georgi, arent you?
(as he remains silent)
No way. Its too dangerous. I wont let
I have to.
If thats all I mean to you, then dont
expect me to be here when you get back.
Ill have Ranjit arrange transportation
(hitting his chest)
You dumb, stubborn, stupid Konskazudnice!
(pronounced - kunscadaniza)
BOND grabs her wrists and pushes her face down on to the cushions.
She bursts into tears.
Whats that supposed to mean?
Back end of horse.
She sees the humour of it and laughs through her tears. He sits
next to her and puts his arms around her.
(clinging to him)
I might never see you again.
You will, I promise.
She kisses him desperately. He responds, picks her up and carries
her to the cushions. They recline on them and continue making love.
791 EXT. RUSSIAN TURBOPROP
792 INT. COCKPIT BOND
looks at FUEL GAUGE.
792 INSERT GAUGE
registering almost empty.
794 INT. COCKPIT KARA BOND
speaking into mike glumly.
Bond to carrier -- I am about to ditch --
Carrier to Bond -- permission to land
795 EXT. TURBOPROP
approaching CARRIER. CAMERA FOLLOWS IT DOWN TOWARD FLIGHT
DECK, bow to stern.
796 INT. COCKPIT KARA BOND
at controls. Through windscreen carrier deck comes up before him.
KARAS knuckles turning white.
797 EXT. CARRIER FLIGHT DECK PLANE
as BOND lands it. CAMERA TRACKS TURBOPROP along deck from BOW to
STERN. PLANE, with no hook to catch breaking line, slows down but
798 INT. COCKPIT BOND
Brakes burning out. Full flaps. Plane reaches end of stern and
stops half-over it.
800 INT. PLANE BOND AND KARA
running toward rear of plane. She is caught in cargo net. He
stops to help.
801 EXT. PLANE
teetering on edge. It slips off stern, hitting water and sinking.
802 CARRIER DECK OFFICER MEN
running to stern. They look over.
803 WHAT THEY SEE
End of cargo net hooked on end of retrieving hook. BOND and KARA
caught in net dangle over end of stern.
804 EXT. TANGIERS BEACH NEAR VILLA BOND NIGHT FIGURE
in diving gear emerging from surf. In B.G. THETIS YACHT we saw
previously, stands offshore.
moving along beach into foliage. He removes re-breather and wet
suit revealing black recce outfit underneath. He moves toward villa in
806 EXT. VILLA GARDENS BOND
moving stealthily towards villa.
827 INT. KARAS DRESSING ROOM CELLO CASE
leaning against wall. KARA enters, turns back, throws kisses to
enthusiastic CONCERT GOERS outside in corridor, then closes door. She heaves
huge sigh of happy relief then puts cello down and sees a martini shaker
and two glasses on her dressing table. She smiles, then whistles. BEEP
BEEP SOUND of a KEY RING FINDER from behind her dressing room screen. BOND
steps out from behind it holding key-ring finder.
You didn't think Id miss this
performance, did you?
She goes to him. They embrace. Then he pulls her behind screen.
along wall behind screen. They sink back upon it.
CAMERA HOLDING. Long moment.
(from behind screen)
This page was created 3.12.97
Last updated 1.22.04